Moonee, real name François Lefevre, is a French producer, collector, mixer, and label founder. 

Born in Toulouse in 1993, to a military father and a teacher mother, François showed a passion for music from a young age, starting piano lessons at 7. At 16, a genuine passion for American black cultural heritage, as well as the UK Garage movement and European techno pioneers, led him to get involved in dance culture at the age of 20. 

Active in the scene since 2015 through his label Groovence Discs, he promotes a soulful deep house, collaborating with the talents of his generation such as Kassian, Tour Maubourg, Mangabey, Sweely, Malik Hendricks, and Armless Kid. 

Alongside his group projects Twice Movement and Simple Request (with French House legend Tour Maubourg), Moonee embodies all that is bold and beautiful in the House genre.

In 2023, Yoyaku titles the release of his debut album Sandquest on the avant-garde label OATH. Three EPs down (Sloth Boogie, Groovence, and Omena) and now this fantastic long play on Oath. Moonee really flexed his style and craft on this record, one which constantly delighted at every turn, providing an enriching spectrum of sounds that stick true to his production technique and craft.

This LP showcases Moonee’s evolution and solidifies his position as a prominent figure in the house genre. Prepare for a solid gold stunner. 

Touring his records in the finest European clubs, from Berlin to Barcelona to Paris, the founder of Groovence Discs has built a steady reputation for his approach to club cuts and a modern take on House music.

Fast forward to today and Moonee has just released his latest offering ‘Brotherhood’ EP (incl. Moomin Remix) on the Oath sublabel Last Year at Marienbad. In usual Moonee style, the EP is filled to the brim with his signature blend of euphoric and emotive grooves. We had the pleasure of sitting down with the artist to discuss the release, career highlights, his views on the current state of the scene, and more!

WWD: Hey Moonee, great to meet you! What’s happening in your world at the moment?

Great to meet and Thanks for having me!

Right now, things are pretty hectic. I’m about to release my ‘Brotherhood’ EP on LYAM, which is a big deal for me. I’ve put a lot of work into it, and I’m excited to see how it resonates. So far, the feedback’s been really positive, and it feels great to see everything come together.
I’m also working on a new live set for 2025 and getting into more experimental sounds, which has been really inspiring.

WWD: Congrats on the ‘Brotherhood’ EP release on LYAM! Can you talk us through the release?

Thank you! This project is really special to me. It’s a mix of tracks that represent my new approach to electronic music and breakbeat. The name ‘Brotherhood’ is a little tribute to my younger brother, who’s going to be a father soon—I’m very proud of him.

WWD: How did the collaboration with the label and the Moomin remix come about?

I’ve been following LYAM for a while and really respect their approach to music. I was lucky enough to release my first solo album on the main label OATH in 2024, and then we decided to release this one on their sublabel, LYAM.
Working with Moomin on the remix was also a great experience. I’ve always admired his unique sound, and his remix gave a fresh twist to the track.

WWD: For those who are just discovering your music, what do you hope they feel when they listen?

I hope listeners connect with the emotions and stories behind the music. Music is very personal to me, and I want people to feel like they’re going on a journey with me. Whether it’s through the melancholic vibes or the more upbeat ones, I want to create a space where people can lose themselves and just feel, whether that’s joy, introspection, or peace.

WWD: Can you describe the connection between your music and your French roots, and how they influence you today?

I wouldn’t say I’m the most “French” of producers in terms of my influences, haha.
Of course, I love the French scene, and the French Touch was part of why I got into electronic music when I was younger. But I’ve always had my ears open to other cultures. I love discovering new sounds and styles that are different from our French musical roots. Maybe I need that kind of exoticism to feel inspired—to engage with something completely different from my own background.

WWD: What’s been the highlight of your career so far? Any particular moment that stands out?

These last two years have been fulfilling, but the release of my album this year was a real turning point. When you release an album, you put so much from you into it, and I also felt like my sound was better understood?

It also helped me connect with a lot of people I admire  in the scene. That’s where the real value lies—meeting people along the way. That’s why I started my label, Groovence. I really value the human side of music.

Also, seeing how the Brotherhood EP has been received by the community has been an incredible feeling. It’s these moments of recognition that keep me motivated.

WWD: Can you share some insight into your creative process? Any rituals or methods that keep you inspired?

I really believe in the spontaneous, unexpected side of music production. Sometimes the best ideas come from things you didn’t plan, like a track you forgot to mute, and it accidentally takes the song in a new direction. I try to keep those moments and make them work.

I’m also trying to understand my own productivity better—like when I’m most inspired, or when I can finish a track in a day. Or sometimes, I just jam without thinking about what will come out, purely for the pleasure of seeing all the emotions I’ve collected over the last few days (whether joyful or more intense) come to life.

WWD: As someone deeply involved in the electronic music scene, how do you see it right now?

The scene is growing fast, and there’s this exciting energy because more people are starting to follow their true passions. It feels like everyone is breaking free from the traditional job mindset and taking risks.

The crossover between industries like music and food is creating new spaces for creativity. It brings fresh perspectives, new talent, and new ideas, making the whole scene more diverse and exciting.

For electronic music, this is especially exciting. It’s no longer just a niche—it’s a movement that’s growing, evolving, and becoming more inclusive. The more people follow their own unique path, the more the scene will benefit. There’s so much potential, and it’s only going to get more exciting.

The ‘Brotherhood’ EP is available here